Vol. 4 No. 1 (2024): January: Journal of Humanities, Social Science, Public Administration and Management | Journal of Humanities, Social Science, Public Administration and Management (HUSOCPUMENT)

DOI: https://doi.org/10.51715/husocpument.v4i1

Published: 2024-02-02

The The Analysis of Symbolism Related to Ecocriticism Found In Movie “Man” by Steve Cutts

Ni Komang Trisya Suasti Komang

Page: 1-6

https://doi.org/10.51715/husocpument.v4i1.301

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Code Switching Used by Cinta Laura and Maudy Ayunda on YouTube Channel

nadia rahayu

https://doi.org/10.51715/husocpument.v4i1.303

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A INTER-SENTENTIAL SWITCHING IN PURNAYASA INSTAGRAM CAPTION IN 2022

Martha Brawijaya Anak Agung Gede

TYPES OF EXTERNAL CONFLICT REFLECTED BY THE MAIN CHARACTER IN THE “100” COMIC (2021)

I Komang Gede Feriawan

https://doi.org/10.51715/husocpument.v4i1.300

SOCIAL VALUES OF THE CHARACTERS IN THE MOVIE “ME BEFORE YOU”

Maria Novia Dour

https://doi.org/10.51715/husocpument.v4i1.167

DEIXIS ANALYSIS USED IN PAMUNGKAS SONG LYRICS ENTITLED “PLEASE BABY PLEASE”

Suarjana Putra Wayan

https://doi.org/10.51715/husocpument.v4i1.297

The Analysis of Verbal and Visual Signs on Samsung X BTS Advertisement

Dian Megawati Agnes Putri Saragi

https://doi.org/10.51715/husocpument.v4i1.285

Figurative Language Used in Bible Old Testament

Felisita Ronsmin

https://doi.org/10.51715/husocpument.v4i1.274

DIRECTIVE SPEECH ACTS IN ELLA ENCHANTED MOVIE

Yohana Cellina Nggus

https://doi.org/10.51715/husocpument.v4i1.264

a AN ANALYSIS METAPHOR IN DAUGHTRY’S MUSIC ALBUM
metaphor

edwart wopari

https://doi.org/10.51715/husocpument.v4i1.261

An Analysis Code Switching Used By Maudy Ayunda In Program Catatan Najwa Shihab YouTube Video

Oktavianus Arsong

https://doi.org/10.51715/husocpument.v4i1.254

FLOUTING CONVERSATIONAL MAXIMS IN THE ROM-COM MOVIE “THE KISSING BOOTH 2”

Western Dohans

https://doi.org/10.51715/husocpument.v4i1.304

FLOUTING MAXIM OF RELEVANCE IN HOTEL TRANSYLVANIA: TRANSFORMANIA MOVIE

Ni Kadek Kurnia Nareswari Dewi

https://doi.org/10.51715/husocpument.v4i1.235

COMMAND DIRECTIVE ILLOCUTIONARY ACT DISCOVERED IN CENTRAL INTELLIGENCE MOVIE

Yoga Pramarta Suma

https://doi.org/10.51715/husocpument.v4i1.207

DECODING SPEECH ACTS IN "RAMBO LAST BLOOD" MOVIE

arde I Putu Arde Waisnawa

https://doi.org/10.51715/husocpument.v4i1.299

SPEECH ACTS ANALYSIS OF THE DIALOGUE SPOKEN BY ELLE EVANS IN KISSING BOOTH 3 MOVIE

Ni Putu Dea Maharani Ni Putu Dea Maharani

https://doi.org/10.51715/husocpument.v4i1.289

FUNCTIONS OF ENGLISH TABOO WORDS USED IN READY OR NOT MOVIE

Hyunika Santi Ni Made

https://doi.org/10.51715/husocpument.v4i1.283

DIRECTIVE ILLOCUTIONARY ACT PRODUCE BY THE CHARACTERS IN CRUELLA MOVIE

NIA FEBRIOLA FEBRIOLA

https://doi.org/10.51715/husocpument.v4i1.273

THE ANALYSIS OF CONFLICT FACED BY MAIN CHARACTER IN THE MOVIE VENOM: LET THERE BE CARNAGE

Yohanes Konda

https://doi.org/10.51715/husocpument.v4i1.263

External Conflict Faced by Main Character In Movie "Monster Hunt"
External Conflict

maria sefin

https://doi.org/10.51715/husocpument.v4i1.259

An Analysis Type of Idioms Expression Used by Character Found in Movie Bohemian Rhapsody

Ino Mite, I Putu Andri Permana

https://doi.org/10.51715/husocpument.v4i1.251